Red Sun, 2020
canvas, acrylic polymer, acrylic ink, yarn, thread, wire, and lotus root
125 x 125 x 9 in.
I Talk to the Trees, 2021
yarns, canvas, muslin, acrylic polymer, wire, thread, sponges, and lotus root
144 x 187 x 33 in.
Eight Body Chorus, 2021
yarns, wire, metal, acrylic polymer, papier-mâché, plaster, beeswax, and dried mushrooms
144 x 166 x 54 in.
Orbit of the Haggis, 2020
yarn, plastic-coated wire, metal, paper-mache, beeswax, acrylic polymer, canvas, mushrooms, lotus root and paint
128 x 84 x 35 in.
Michelle Segre in Transmitters & Receivers, installation view at lumber room, Portland, OR. Photo by Mario Gallucci. Courtesy of the artist and lumber room
Michelle Segre in Ephemera, installation view at Nerman Museum of Contemporary Art, Overland Park, KS
Self-Reflexive Narcissistic Supernova, 2013 (foreground)
metal, yarn, thread, wire, plastic bags, plastic lace, papier-mâché, photos, screws, acrylic, modeling clay, wood, beeswax, dried mushrooms
72 x 84 x 120 inches
Satellite, 2016
Metal, yarn, thread, wood, acrylic polymer, rocks, mylar
111.5 x 72 x 48 inches
Michelle Segre in Ephemera, installation view at Nerman Museum of Contemporary Art, Overland Park, KS
Foot of a Grimey, 2016
Sticks, wire, yarn, thread, mylar, beeswax, paper, plaster, pebbles, acrylic paint skin, pushpins, plasticcoated wires
87 x 45 x 48 inches
Sectional Planes and Driftloaves: Michelle Segre, installation view at Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia
Colony Collapse, 2015
metal, yarn, tape, plastic lace
50 x 35 x 18 inches
Red Desert, 2016 (foreground)
yarn, modeling clay, mylar, papiermaché, plaster, foam, metal, sticks, sponges, wire, plastic lace, paint
96 x 75 x 49 inches
Porous, Porous, 2014 (background)
metal, foam, wire, wood, plater, modeling clay, yarn, thread, plastic lace, bread
109 x 50.5 x 22 inches
Red Desert, 2016
yarn, modeling clay, mylar, papiermaché, plaster, foam, metal, sticks, sponges, wire, plastic lace, paint
96 x 75 x 49 inches
Plaza, 2016 (foreground)
plaster, foam, bread, paint, clay, modeling clay, Aqua-resin, mylar
57 x 24 x 24 inches
Spaghetti Love, 2013-2016 (background)
ongoing mixed media on paper
87 x 184 inches
Michelle Segre, Driftloaf, installation view at Derek Eller Gallery, New York
Driftloaf (Purple/ Orange), 2015
brick, wire, paint, papier-mâché, bread
12 x 4.5 x 3 inches
Powers of Tenuous, 2014
metal, wood, wire, yarn, thread, plastic, mylar
69 x 52.5 x 47.5 inches
Driftloaf (Blue Triangle), 2015
clay, plastic coated wire, thread, bread, paint
21.5 x 18 x 3 inches
Porous, Porous, 2014
metal, foam, wire, wood, plaster, modeling clay, yarn, thread, plastic lace, bread
109 x 50.5 x 22 inches
Driftloaf (Green Whole Loaf), 2015
concrete, papier-mâché, bread, paint, nail, thread, pebble
19.5 x 10 x 3 inches
The Collector, 2012
Milk crates, plaster, paint, clay, pitchforks, plastacine, rocks, acrylic, paper maché, plastic lace, yarn, thread, wire, toothpicks, seashells
102.5 x 81 x 69 inches
Driftloaf (Green with Moss), 2015
mossy brick, papier-mâché, bread, paint, wire
17 x 4 x 2.5 inches
Spaghetti Love, 2014
mixed media on paper
dimensions variable
Spaghetti Love, 2014 (detail)
mixed media on paper
dimensions variable
