New works in painting, sculpture, and installation use supernatural color and uncanny luminescence to evade the reductive nature of traditional figuration. Their palettes embody the lived experiences and cross-cultural allegiances of a multiethnic, multiracial, and otherwise multifaceted group of makers. Together, they push at and spill over the outermost limits of realism, highlighting the figure’s manipulability and continual metamorphosis.In turn, their practices generate space for resilient, transgressive, and exuberant bodies that cannot be placed or contained.

This exhibition aims to broaden and complicate official histories and their corresponding visual strategies to allow for richer representations of those who have been traditionally excluded or erased. When You See Me features nearly 60 works by a diverse, intergenerational group of 50 artists who contend with visibility both socially and formally. Their works explore invisibility, hypervisibility, the desire to be seen, and the right to be private.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in The Everson's exhibition galleries.

Organised within the framework of the international celebrations marking the fiftieth anniversary of the death of Pablo Picasso (1881–1973) and curated by Éric Troncy, The Echo of Picasso relates Picasso’s oeuvre to that of contemporary artists who, in one way or another, have made or are making its echo resound.

On loan from the Bank of America Collection, this single-work installation is a dazzling sculpture made of glass beads and wire that hangs from the ceiling, Coalescence (2006) resembles a hovering cloud, a massive spider web glistening with morning dew, or a cluster of atoms magnified to monumental scale. Its open form challenges traditional notions of sculpture as grounded, solid, or weighty, and reveals Shotz’s abiding interest in perception: calling attention to the relationship between an artwork, the viewer, and the space they share. 

Woven Histories: Textiles and Modern Abstraction foregrounds a robust if over-looked strand in art history’s modernist narratives by tracing how, when, and why abstract art intersected with woven textiles (and such pre-loom technologies as basketry, knotting, and netting) over the past century. 

Nuts and Who’s: A Candy Store Sampler highlights the cross-fertilization of ideas between California’s Funk and Nut art and Chicago’s Hairy Who in the Bay Area, and their convergence around the Candy Store Gallery, from 1968 to 1985. Founded by Adeliza McHugh in Folsom, California in 1962, the Candy Store Gallery was a site of convergence and exchange for University of California, Davis and California State University, Sacramento (then Sacramento State College) art faculty and students and other like-minded artists.

Experiment in Gravity is a metal quilt composed of thousands of tiny aluminum hand woven, punched metal parts. The material is made to explore the structure of space itself experienced through the force of gravity. The shape is based on an animation of the same material dropped through space, responding to gravity, and stopped in time.

Experiment in Gravity is installed adjacent to Shotz’s work A Moment in Time, complementing one another with their ethereal and luminescent qualities.

Alyson Shotz' work is included in Rounding the Circle: The Mary and Al Shands Collection, a major exhibition celebrating the extensive and significant collection of contemporary artworks assembled by the late Alfred R. Shands III (1928-2021) and Mary Norton Shands (1930-2009). This presentation also commemorates the transformative gift of art made to the Speed Art Museum, numbering over 100 artworks. 

Taking Space: Contemporary Women Artists and the Politics of Scale invites viewers to consider how space, size, scale, and repetition can be interpreted as political gestures in the practices of many women artists. Inspired by a 2021 exhibition at the Pennsylvania Academy of the Fine Arts (PAFA), Taking Space features 10 works from that original show by Mequitta Ahuja, Jennifer Bartlett, Eiko Fan, Hope Gangloff, Clarity Haynes, Elizabeth Murray, Ana Vizcarra Rankin, Alyson Shotz, Mickalene Thomas, and Dyani Whitehawk.

Nancy Shaver is included in the exhibition The Interior Life: Recent Acquisitions at the National Gallery of Art, Washington, D.C. 

Peter Linde Busk's work is the subject of a special exhibiton at the Holstebro Kunstuseum, Denmark. His pictorial universe is populated by tragicomic figures, depicted with deformities and unsightly distortions, in abyss-like spaces. Narratives of defeat and deep despair emerge from the works – but not infrequently the mood turns to biting satire, playfulness or rebellious humour.

Ellen Lesperance is included in the exhibition "Long Story Short" at the Museum of Contemporary Art, Los Angeles, CA

Thomas Barrow is included in the exhibition On The Grid: Ways of Seeing in Print at the Francis Lehman Loeb Art Center in Poughkeepsie, NY.

Alyson Shotz is included in the exhibition Dialogues Across Disciplines at the Wellin Museum in Clinton, NY.

Julia Bland is included in a group exhibition at Institut suédois in Paris, France.

Jameson Green is included in the exhibition Fire Figure Fantasy: Selections from ICA Miami’s Collection in Miami, FL.

Michelle Segre is included in the New England Triennial, deCordova Sculpture Park and Museum, Lincoln, MA, Fruitlands Museum, Harvard, MA.

AbStranded features ten contemporary American artists—Polly Apfelbaum, Paolo Arao, Sanford Biggers, Samantha Bittman, Julia Bland, Rachel B. Hayes, Elana Herzog, Anne Lindberg, Sheila Pepe, and Sarah Zapata—who use fiber-based materials to investigate the complex lineage of abstraction.

As part of the Arts Initiative’s interdisciplinary study of time, Grace Farms Foundation presents a new, site-responsive sculpture from artist Alyson Shotz. The reflective work interacts with natural light and animates an interior courtyard of the SANAA-designed River building, describing time as the seasons change.

Ellen Lesperance’s exhibition “Amazonknights” presents a selection of new and existing paintings and two new sculptures that pay homage to feminist activism. Inspired by actions of protest that have shaped the twentieth century, the artist plumbs historical footage and photographs, sourcing images of protesters’ hand-knitted garments and translating them into paintings and sculptures. Citing inspiration from Bauhaus-era female weavers, the Pattern and Decoration movement, and feminist art of the 1970s and 1980s centered around the female body, Lesperance reframes image-making outside of male-dominated Western painting traditions while honoring the creative labor of women standing up against social and political ills and environmental destruction.

“Ellen Lesperance: Amazonknights” is organized by ICA Miami and curated by Stephanie Seidel, Curator.

Collectivity explores artists’ use of diverse materials and techniques to activate a sense of community. Highlights include Beatriz Gonzalez’s Mutis por el foro, a metal bedframe depicting the death of Simón Bolivar; the work of Ellen Lesperance, who addresses the aesthetics of protest; Teresa Margolles’s Lote bravo, comprising 400 adobe bricks made by hand out of the soil where murdered women had been buried in Ciudad Juárez, Mexico; the vibrant lithographs of Wendy Red Star; and the Kitchen Table Series of photographs by Carrie Mae Weems.

Alyson Shotz is included in The Line of Wit. The exhibition presents a focused selection of work characterized as humorous, clever, experimental, and inquisitive in nature. Ranging from the 1950s to the present, these works employ unusual materials and techniques, and playfully defy aesthetic conventions demonstrating ingenuity and wit. Bringing together artists of different generations working across a variety of media, the exhibition includes rarely seen treasures and beloved works from the Guggenheim Bilbao’s permanent collection alongside key long-term loans, some of which have never before been on view in the Museum. The mixing of high and low, ordinary and sublime, humor and earnestness can be traced throughout the exhibition challenging hierarchies that underpin the fine arts.

Organized thematically, the exhibition is structured in three distinct sections that embrace the experimental nature of artmaking through a cohesive selection of works by significant postwar and contemporary artists.

The Line of Wit presents a survey of works spanning various styles and movements centered on specific themes that explore ingenuity, experimentation, and distinctive artistic practices. Installed in dialogue with one another, these artworks offer the possibility to contemplate the critical choices artists make in selecting materials and techniques, thereby attesting to their artistic methodology and individual process.

Curator: Lekha Hileman Waitoller

Ellen Lesperance's work is included in The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time at the Brooklyn Museum. The exhibition draws examples from the Museum's contemporary art collection to contemplate the profound disruption that occurred in 2020. Borrowing its title from an aeronautical term that refers to the pull of the current that is left in the wake of a large and powerful object, the exhibition examines the placement and displacement of power that runs through American history and continues today. In 2020's slipstream, the confluence of the devastating effects of the pandemic, civil unrest across the United States, a contested presidential election, and unchecked climate change will continue to shape conversations about the state of the nation and world. The exhibition seeks to hold space for individuals to find their feelings of fear, grief, vulnerability, anger, isolation, and despair—as well as joy, determination, and love—reflected in art.
 

Centering artists of color, The Slipstream features works by multiple generations of artists from the 1960s to the present day. More than sixty artworks are on view, organized in seven sections around themes such as collective power, family ties, spiritual well-being, relationships to nature, and the simple rituals of daily life. Each of these works embodies strategies for staying grounded, gathering strength, and considering paths into the future.

The FLAG Art Foundation presents a two-decade survey of Dan Fischer’s graphite-on-paper drawings, on view May 1-August 13, 2021, on its 10th floor. Consisting of more than fifty works that span 1999 to 2021, the exhibition is organized to highlight Fischer’s iterative and meticulous reworking of canonical artists and artworks as a means of exploring the nature of the photographic medium, image appropriation, and mechanical reproduction.

Ellen Lesperance will be included in Who What When Where at the Everson Museum of Art.

Based upon the iconic Carrie Mae Weems’ 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Alyson Shotz will be included in Seeing Differently at The Phillips Collection.

Drawn from its growing collection of nearly 6,000 works, Seeing Differently will highlight over 200 works by artists from the 19th century to the present, including paintings, works on paper, prints, photographs, sculptures, quilts, and videos. Spread throughout the entire museum, the exhibition will explore the complexities of our ever-changing world through themes of identity, history, place, and the senses.

Seeing Differently marks the first major celebration of the museum’s permanent collection in over 10 years. Guided by Duncan Phillips’s belief in the universal language of art as a unifying force for social change, the exhibition will present dynamic, engaging juxtapositions that connect artists past and present across national, racial, and gender lines.

Ellen Lesperance will be included in We’ve Only Just Begun: 100 Years of Women in Politics and Beyond at The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. The exhibition takes the 100th anniversary of the 19th Amendment as the occasion for reflection and exploration of the issues and challenges women in the United States have faced, and continue to face, in politics and society.

Alyson Shotz will be included in Taking Space: Contemporary Women Artists and the Politics of Scale. The exhibition examines the approaches of women artists for whom space is a critical feature of their work, whether they take the space on a wall, the real estate of a room through sculpture and installation, engage seriality as a spatial visual practice, cast a wide legacy in art history or claim the space of their body. This exhibition invites viewers to consider how size and repetition can be interpreted as political gestures in the practices of many women artists.

For more information, visit www.pafa.org.

"Yesterday's Tomorrow" features works from the Rose's collection from 1933 to 2018. More than half of the works on view are new gifts and recent acquisitions that have never before been exhibited within a Rose exhibition, including artworks by Nicole Eisenman, Joy Episalla, Ulrich Horndash, Ellen Lesperance, Patti Smith, William Villalongo, and Jack Whitten.
 

Ellen Lesperance will be included in a two-person exhibition, Dress Codes: Ellen Lesperance and Diane Simpson, at the Frye Art Museum, Seattle, MA. The exhibition will be on view from September 21, 2019 through January 5, 2020. 

For more information, visit www.fryemuseum.org. 

Travelling from the Hunter Museum of American Art in Chattanooga, TN, Alyson Shotz: Un/Folding, a solo exhibition of works by the artist, will be on view at the Weatherspoon Art Museum, Greensboro, NC from September 14 to December 22, 2019. 

Fore more information, visit www.weatherspoonart.org

Ellen Lesperance will be included in Feminist Histories: Artists After 2000 at the Sao Paulo Museum of Art, Sao Paulo, Brazil. On view from August 23 through November 17, 2019, the exhibition will be organized around themes, where works of different medium will tackle the history of women and feminisms and the state and future of contemporary feminism. 

Fore more information, visit www.masp.org.br.

Alyson Shotz will be included in a two-person exhibition, Light & Shadow: Alyson Shotz and Kumi Yamashita, at the Wichita Art Museum, KS. The exhibition will open on August 3, 2019 and will be on view until January 5, 2020. 

For more information, please visit www.wichitaartmuseum.org. 

Melissa Brown is included in Fountain: Melissa Brown and Jaime Bull, a two-person exhibition at the Lupin Foundation Gallery at the University of Georgia in Athens, GA. The show is on view until August 30, 2019. 

For more information, visit www.art.uga.edu. 

Ellen Lesperance will be included in Less is a Bore: Maximalist Art & Design at ICA Boston, an exhibition that focuses on works across medium that favor decoration, pattern and maximalism. It will be on view from June 26 through September 22, 2019. 

Fore more information, visit www.icaboston.org. 

Karl Wirsum is included in Beyond The Cape! Comics and Contemporary Art at the Boca Raton Museum of Art in Boca Raton, FL. This exhibition shows how graphic novels and comic books have influenced some of the most relevant contemporary artists of our time. 

For more information, visit www.bocamuseum.org. 

D-L Alvarez is included in Queer California: Untold Stories, on view at the Oakland Museum of California from April 13 through August 11, 2019. This exhibition explores untold narratives of California LGBTQIA+ community through art, video, music and more. 

For more information, visit www.museumca.org. 

Alyson Shotz is included in A Nation Reflected: Stories in American Glass, an exhibition featuring more than 100 objects drawn from the Yale University Art Gallery's collection that explore glass as a medium to tell stories about those who live and work in the United States. On view through September 29, 2019. 

Fore more information, visit www.artgallery.yale.edu. 

Steve DiBenedetto is the subject of a monographic exhibition, 35 Drawings, curated by the Consortium Museum and presented at Académie Conti in Vosne-Romanée, France. This show presents for the first time a series of drawings the artist made during his residency at the American Academy in Rome in the Fall of 2018. 

Fore more information, visit www.leconsortium.fr. 

Ellen Lesperance will be included in the second edition of the Honolulu Biennial, titled "To Make Wrong / Right / Now". The Biennial will be held from March 8 to May 5, 2019 and will bring together 19 artists and artists groups from Hawaii and 29 artists and artist group from the Pacific and Asia. 

For more information, please visit www.honolulubiennial.org. 

Karl Wirsum will be included in How Chicago! Imagists 1960s and 70s at Goldsmiths CCA in London, United Kingdom. This will be the first significant exhibition in the UK in almost 40 years of works by the Chicago Imagists. The exhibition will travel to De La Warr Pavilion in June 2019. 

For more information, visit www.goldsmithscca.art. 

We are pleased to announce Alyson Shotz: Un/Folding, a solo exhibition of works by the artist at the Hunter Museum of American Art in Chattanooga, TN, on view from March 1 until May 27, 2019. Coinciding with the completion and unveiling of her new permanent commission for the Museum, the Hunter Museum is organizing a special exhibition of Shotz's works that explores forces of nature, folding, feminism and craft. The exhibition will travel to the Weatherspoon Art Museum, Greensboro, NC in the Fall 2019. 

Fore more information, visit www.huntermuseum.org.

Steve DiBenedetto is included in New York: The 1980s; Part I, an thematic exhibition of works from the collection of the Consortium Museum in Dijon, France. The show is on view from November 24, 2018 through October 20, 2019.

For more information, visit www.leconsortium.fr. 

Ellen Lesperance is included in Still I Rise: Feminisms, Gender and Resistance, on view at Nottingham Contemporary, Notthingham, UK through January 27, 2019. This exhibition explores the role that women have played in the history of resistance movements and alternative forms of living and will travel to De La Warr Pavilion, Bexhill-on-Sea, UK in February - June 2019. 

For more information, please visit www.notthinghamcontemporary.org. 

Ellen Lesperance is included in Nashashibi/Skaer: Thinking Through Other Artists, on view at the Tate St Ives in Cornwall, UK, until January 6, 2019. This exhibition combines films made by Rosalinf Nashashibi and Lucy Skaer with their personal selection of historic and contemporary art that reflects on and adds new meaning to their work.

For more information, please visit www.tate.org.uk. 

Ellen Lesperance is included in New Materialism, on view at Bonniers Konsthall, Stockholm, Sweden through November 11, 2018. This group exhibition gathers 13 artists who work withing textile, wood, clay and ceramics, paying attention to the increading interest in crafts as a material and method within the contemporary art field. 

For more information, please visit www.bonnierskonsthall.se. 

We are pleased to announce that works by Karl Wirsum are included in New to Mia: Art from Chicago at Minneapolis Institute of Art in Minneapolis, MI. The exhibition is on view until January 6, 2019 and includes a broad range of art by artists who call Chicago home. 

For more information, please visit www.artsmia.org

Ellen Lesperance is included in Half the Picture: A Feminist Look at the Collection at the Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, on view through March 31, 2019. Featuring more than 100 works from the Museum's collection, the exhibition explores a wide range of art-making, focusing on enduring political subjects - encompassing gender, race and class - that remain relevant today. 

For more information, please visit www.brooklynmuseum.org. 

We are pleased to announce that works by Nancy Shaver will be featured in One Day at a Time: Manny Farber and Termite Art at MOCA in Los Angeles. On view from October 14, 2018 to March 11, 2018, the exhibition is curated by Helen Molesworth. It will feature approximately thirty artists and more than 100 works of painting, sculpture, photography, film, video, and sound dating from the 1950s to the present, inspired by American painter and film critic Manny Farber and his legendary underground essay “White Elephant Art vs. Termite Art” (1962)

For more information about the exhibiton, please visit www.moca.org

Thomas Barrow is featured in the exhibition Longer Ways to Go: Photography of the American Road at the Center for Creative Photography in Tucson, AZ. The show explores the symbiotic relationship between photogrpahy and the folklore of the American highway. 

For more information, visit www.ccp.arizona.edu.

We are pleased to announce that works by Karl Wirsum will be featured in Infinite Spaces: Rediscovering PAFA's Permanent Collection at the Pennsylvania Academy of the Fine Arts in Philadelphia. On view from July 1 to September 9, 2018, the exhibition is co-curated by Laurel McLaughlin, Natalia Angeles Vieyra, and Mechella Yezernitskaya, and will feature new acquisitions and other permanent collection works. 

For more information about the exhibiton, please visit www.pafa.org. 

We are pleased to announce that Scattering Screen by Alyson Shotz will be featured in the North Forest of Crystal Bridges Museum of American Art in Bentonville, AK. Opening in April 2018, "Work from the collection in the North Forest" is curated by Lauren Haynes. 

For more information about the exhibiton, please visit www.crystalbridges.org. 

We are pleased to announce the work of Nancy Shaver will be included in the upcoming exhibition Dime-Store Alchemy at The FLAG Art Foundation. The exhibition will be on view from June 5 through August 17, 2018. The exhibition focuses on contemporary artists who elevate every day, often forgotten (or taken for granted) items through the framing device of cabinets, shelving, and containers.

For more information about the exhibiton, please visit www.flagartfoundation.org. 

We are pleased to announce the work of Karl Wirsum will be included in the upcoming exhibition Hairy Who? 1966-1969 at The Art Institute of Chicago. The exhibition will be on view from September 27, 2018 through January 13, 2019. 

For more information about the exhibiton, please visit www.artic.edu. 

We are pleased to announce the work of Michelle Segre will be included in the upcoming exhibition Objects Like Us at the Aldrich Contemporary Art Museum in Ridgefield, CT. The exhibition will be on view from May 20, 2018 through January 13, 2019, and will feature more than seventy tabletop art objects by fifty-six artists. 

For more information about the exhibiton, please visit www.aldrichart.org. 

We are pleased to announce the work of Nancy Shaver will be featured in the upcoming exhibition Outliers and American Vanguard Art at the National Gallery of Art, Washington, DC. The exhibition will be on view from January 29 through May 13, 2018, and will highlight the work of twentieth-century outlier American artists.

For more information about the exhibiton, please visit www.nga.gov. 

In December 2017 the Guggenheim Bilbao will present Art and Space, an exhibition exploring the experience of space featuring Alyson Shotz. The exhibition will be on view December 5, 2017 through April 8, 2018. 

For additional information, please visit guggenheim-bilbao.eus. 

We are pleased to announce that works by Thomas Barrow are included in Shifting Light: Photographic Perspectives at the New Mexico Museum of Art in Santa Fe. On view from November 25, 2017 until November 4, 2018, the exhibition offers a twenty-first century perspective on the museum's long term engagement with the popular medium of photography. 

For more information, please visit www.nmartmuseum.org. 

Karl Wirsum will be included in the exhibition Famous Artists from Chicago, 1965 - 1975 at the Fondazione Prada in Milan.

For further information please visit http://www.fondazioneprada.org

Michelle Segre will be in included in Ephemera at the Nerman Museum of Contemporary Art, Overland Park KS. The exhibition will be on view from October 19, 2017 until January 28, 2018. 

Fore further information, please visit www.nermanmuseum.org. 

David Kennedy Cutler will be included in (Self) in conjunction with the Portland Institute of Contemporary Art's Time Based Art Festival.

For further information please visit www.reed.edu.

We are pleased to announce that Rob Fischer's "City", a site-specific installation at 54th Street and Park Avenue, will run September 11-November 15, 2017. Presented by The Fund for Park Avenue, NYC Parks , and Derek Eller Gallery.

For further information please visit www.fundforparkavenue.org.

We are pleased to announce the work of Dominic McGill will be featured in the upcoming exhibition On the Move: A Century of Crossing Borders at the Los Angeles County Museum of Art opening August 2017.

For further information visit www.lacma.org. 

Thomas Barrow will be featured in the exhibition Longer Ways to Go: Photography of the American Road at the Phoenix Museum of Art, Phoenix, AZ. The show explores the symbiotic relationship between photogrpahy and the folklore of the American highway. 

For more information, visit www.phxart.org.com

We are pleased to share that Michelle Segre will be on the cover of Sculpture Magazine. The June 2017 issue will feature a conversation between Segre and Michael Amy discussing the artist's recent work, use of unorthodox materials and cosmological allusions. 

For more information on Sculpture Magazine, click here. 

On Saturday, April 29, Locust Projects, Miami, FL, will open Under Water, a collaboration between Michael DeLucia, David Kennedy Cutler and David Scanavino. The three New York-based artists have created a room-scale installation that interprets a pastoral beach scene across two and three dimensions, with synthetic sun and moon rising over a pixilated ocean. The exhibition will be on view through June 10, 2017. 

For more information, please visit locustprojects.org. 

Derek Eller Gallery is pleased to announce Peter Shire: Naked Is the Best Disguise at the MOCA Pacific Design Center, Los Angeles, CA. Curated by Anna Katz, the exhibition will feature work in design from the 1970s to the present including ceramics, furniture, and a small selection of works on paper. The show will be on view April 22 - July 2, 2017. 

For more information, please visit www.moca.org. 

The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. The Exhibition will be open to the public from Saturday May 13th to Sunday November 26th 2017, at the Giardini and the Arsenale venues. The preview will take place on May 10th, 11th and 12th, the awards ceremony and inauguration will be held on Saturday May 13th 2017. 

For more information, please visit labiennale.org

This winter, Cherry and Martin, Los Angeles, will exhibit the densely layered oil paintings of Steve DiBenedetto. The exhibition will be on view through March 4, 2017. 

For more information, click here. 

The Museum of Contemporary Art Chicago will screen Suzanne Simpson's 1973 film Karl Wirsum on October 27, 2016. The screening will be followed by a discussion with Karl Wirusm and Gladys Nilsson, moderated by Rob Storr. The conversation will focus on the historical, personal, and philsophical connections between the visual art scenes of Chicago and Northern California in the 1970s and 1980s. 

For more information, click here. 

The sculptural assemblages of Nancy Shaver will be on view with mobiles and paintings by Taylor Davis as part of a two-person exhibition at Adam and Ollman, Portland. The exhibition will run through November 19, 2016. 

For more information on the exhibition and Adam and Ollman, click here. 

This fall, the work of Thomas Barrow will be featured in the exhibition A Matter of Memory: Photography as Object in the Digital Age at the George Eastman Museum, Rochester, NY. The exhibition will be on view in the main galleries from October 22, 2016 until January 29, 2017. 

For more information, click here. 

Despina Stokou will be included in the upcoming exhibition Pictura + Poesis at the Kunstverein Gera, Germany. Featuring other artists such as Jenny Holzer and Friederike Feldmann, the exhibition will explore the relationship between art, literature and technology. Pictura + Poesis will be on view from October 20-December 17, 2016. 

For more information, click here. 

Art in General in partnership with Center for Contemporary Arts, Estonia will present Force Quit, an exhibition of newly commissioned works by David Kennedy Cutler. The exhibition, curated by Kristen Chappa, will be on view October 9 - 30, 2016 at the Center for Contemporary Arts, Estonia. 

For more information, click here. 

Dieu Donné and the Dedalus Foundation present Pure Pulp, a group exhibition of contemporary artists working in paper. The exhibition is on view at the Dedalus Foundation, Brooklyn, NY, from September 8 - October 16, 2016. 

For more information, click here. 

This fall, Tops Gallery in Memphis, TN will present Law of Dissipation, an exhibition of photographs by Dan Torop. The exhibition will open on September 16, 2016.

For more information, click here. 

Memphis Does Hanukkah, the latest installment of the Jewish Museum's Masterpieces & Curiosities exhibition series, will feature the work of Peter Shire. Balacing tradition and innovation, the artist has masterfully interpretted the primary ritual object of Hanukkah to create Menorah #7. Shire's work will be accompanied by pieces and ephemera of other members of the Memphis group. For more information on the exhibition, click here. 

Alyson Shotz's False Branches #2, 2001, will be on display at the San Jose Museum of Art as part of their upcoming permanent collection exhibition Indestructible Wonder. The exhibition will run from August 18, 2016 through January 28, 2017. For more information on Indestructible Wonder and the San Jose Museum of Art, click here. 

Derek Eller Gallery is pleased to present a selection of sketchbook drawings by Karl Wirsum at Art Basel 2016.  

For more information, click here. 

Kick off the summer season by attending the annual exhibition opening, featuring new works in The Fields Sculpture Park and Visitors Center gallery by Rob Fischer, Folkert de Jong, Freya Powell, Andreas Savva and Charley Friedman. Children's crafts, tractor rides and light refreshments will be available.

For more information click here. 

After more than 18 years in Chelsea, we are excited to be moving the gallery to 300 Broome Street on the Lower East Side.

For more infomation, click here

For her Morris Gallery presentation, Plane Weave, Shotz has created a large tapestry-like sculpture composed of thousands of pieces of punched aluminum and stainless steel rings of the artist’s design that are connected by hand. A deep investigation into the work of light and gravity on the way that materials function in space, this new work also reflects upon the repeating patterns found in nature.     

For more information click here 

In its ninety-second competition for the United States and Canada, the John Simon Guggenheim Memorial Foundation has awarded 175 Fellowships (including three joint Fellowships) to a diverse group of 178 scholars, artists, and scientists. Appointed on the basis of prior achievement and exceptional promise, the successful candidates were chosen from a group of nearly 3,000 applicants.

For more information click here. 

Michelle Segre: Sectional Planes and Driftloaves

The Rosenwald-Wolf Gallery of the University of the Arts is pleased to present the Philadelphia one-person premier of New York sculptor Michelle Segre.

Segre’s organic works are an eclectic amalgam of new age naturalism joined with Arte Povera. In her early work, she constructed large-scale naturalistic enlargements of mushrooms and of bones, perhaps sharing a kinship with Nancy Graves or Roxy Paine. These conceptual structures, however, were only the starting point; she now creates   monoliths of assembled allusions, chimeras of consciousness, exploring various biomorphic iconographies, mycelia exploding into open fiber or wire webs. Space is punctuated and punctured, wire is used as line, threads connect objects suspended in space. She works with illusion and radically eclectic materials: papier mậché, driftwood, loaves of bread, mold, fungus – references that spiral outward into the world with nonlinear, psychedelic abandon. We notice analogies to Native American God’s Eyes and macramé, her fiberworks like Faith Wilding and Annette Messanger. Her use of bright color harks back to Yves Klein and forward to Franz West. Although this color might initially seem playful, a closer examination points to issues of life, death and transcendence: ways of sustaining a soulful artistic practice.

For more information click here. 

New York curator, author, editor, and publisher Raymond Foye joins exhibiting artist Steve DiBenedetto in conversation about contemporary painting and the complex and though-provoking issues raised in the artist's current Aldrich exhibition. The New York Times described DiBenedetto's work as "expertly constructed but aggressively psychedelic and curiously weird...a phenomenal group of canvases." 

For more information click here. 

Galería Marta Cervera presents Living with Art a group exhibition including Sadie Benning, Marcel Eichner, Dean Levin, and Despina Stokou. The exhibition is on view at Galería Marta Cervera, Madrid, Spain and will run from February 23 - March 26, 2016. 

Click here for more information. 

This exhibition explores the history of the medium as a lucid, literate—but not always literal—tool of persuasion. A collaboration with the George Eastman Museum, the show features more than eighty works from the 1840s to the present and reveals the many ways the camera can transmit not only the outward appearance of its subject but also narratives, arguments, and ideas. Drawn chiefly from the Eastman Museum’s rich holdings, and supplemented by works from the Morgan and a private collector, this exhibition features work by William Henry Fox Talbot, Eadweard Muybridge, John Heartfield, Lewis Hine, John Baldessari, Sophie Calle, Bernd and Hilla Becher, and Thomas Barrow, among many others.

Sight Reading is co-organized by the Morgan Library & Museum and the George Eastman Museum, Rochester. Sight Reading: Photography and the Legible World will be on view at the George Eastman Museum June 18 - September 18, 2016. 

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This exhibition brings together artword created at Dieu Donné studio by twenty artists who have participated in the prganization's prestigious residency programs. The artworks range from intimate two0-dimensional studies to large sculptural works, all made from a form of paper pulp. The artists have varied practivces outside of the residency but are united through their exploration of the possibilites of this versitile medium. 

Artists whos work will be included are: Ian Copoper, David Kennedy Cutler, E.V. Day, Melvin Edwards, Jane Hammond, Jim Hodges, Mel Kendrick, Jon Kessler, Glenn Ligon, arlene Shechet, Molly Smith, Do Ho Suh, Mary Temple, Richard Tuttle, and Ursula von Rydingsvard. 

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Artists require unfettered time and space to engage in their work and the world. Building on the legacy of our founder, Ursula Corning, the Civitella Ranieri Foundation opens the doors of its 15th century castle in rural Umbria annually for four six-week residency sessions of self-directed studio and work time. Each residency community brings together accomplished international artists, writers, and composers at emerging and established moments in their careers. They are joined by a limited number of invited Director’s Guests to foster a robust contemporary dialogue that transcends disciplines and geography. 

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In a career that spans three decades, Steve DiBenedetto has established himself as an idiosyncratic artist who has brought the pursuit of painting into the unpredictable chaos and flux that categorize the Postmodern world.

DiBenedetto’s first major solo museum exhibition, Evidence of Everything, will be on view at The Aldrich Contemporary Art Museum from November 15, 2015, through April 3, 2016, as part of the Painting in Four Takes exhibition series.

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Painting 2.0: Expression in the Information Age will be the first exhibition to tell the story of painting’s adaptation, absorption and transformation of information technologies in Western Europe and the United States since the 1960s. Its historical starting point in Pop Art and Nouveau Réalisme’s programmatic appropriation and re-contextualization of commercial imagery precedes the advent of digitalization and the Internet by some thirty years. 

Featuring over 230 works by 107 artists, Painting 2.0 is one of the largest and most comprehensive exhibitions of contemporary painting to be held by a major museum in recent years.

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Curated by Miguel Gandert, Distinguished Professor of Communications and Journalism, and Chris Wilson, J. B. Jackson Chair of Cultural Landscape Studies

Lee Freidlander, Steve Fitch, Thomas Barrow, Lewis Baltz, Joe Deal, Frank Gohlke, Nicholas Nixon, Kenneth Winston Baird, Hilla and Bernd Becher, Sabine Delcour, Gus, Foster, Lynn Geesaman, Debora Hunter, William Henry Jackson, Danny Lyon, Joan Meyer, Beaumont Newhall, Bernard Plossu, Edward Ruscha, David Stephenson, Edward Weston and Steve Yates, Edouard Baldus, Francis Frith, Carlton E. Watkins, Eugene Atget, Walker Evans, and Henri Cartier-Bresson.

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Signed limited exhibtion print of Karl Wirsum, Untitled (study for Baseball Girl, 1964), 1964, produced by Exhibition A. 

A founding member of the notorious Chicago collective, The Hairy Who, Karl Wirsum’s style is defined by a graphic sensibility electrified with mordantly humorous imagery and color influenced by comic books, popular icons, Chicago blues, Japanese prints, and Mesoamerican pottery. An erotic, iconic slice of Americana and one of his most captivating characters, Baseball Girl is the embodiment of Wirsum’s distinct visual language. The artist has mounted three solo exhibitions with Derek Eller Gallery (New York), the most recent of which is currently on view through Saturday, October 17.

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Presented in partnership with the School of the Art Institute of Chicago (SAIC), /Dialogues offers panel discussions, conversations and provocative artistic discourse with leading artists, curators, designers and arts professionals on the current issues that engage them. 

Internationally renowned curator and co-director of the Serpentine Galleries in London, Hans Ulrich Obrist will speak with members of the legendary Hairy Who, a group of young, eccentric artists that began working in the 1960s after meeting at SAIC. Now categorized into a larger group known as the Chicago Imagists—known for thriving outside of New York’s Pop Art scene—this panel anticipates the fifty-year anniversary of their first Hairy Who exhibition at the Hyde Park Art Center in 1966, examining its importance in art history in Chicago and beyond. The voices of three Hairy Who members working today—Art Green, Gladys Nilsson, and Karl Wirsum—will speak alongside Obrist on the impact and significance of the group’s work in a contemporary context. 

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This exhibition presents new work by KAWS, alongside pieces from his collection by two artists, Chicago-based Karl Wirsum and Japan-based Tomoo Gokita.

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In a series of extended residencies at the Lynden Sculpture Garden beginning in the summer of 2013, Dan Torop made photographs on the grounds which integrate an historical text--Meriwether Lewis’s June 14, 1805 diary entry describing a day and night in the environs of the Great Falls of the Missouri River--with present day visual explorations. Mindful of ecologist Aldo Leopold's description of a nearby landscape, Torop responded to the passage of seasons, animals, and objects across the site, sometimes intervening, always observing.

Frozen Period refers to both a season and an historical epoch. Torop created many photographs during the winter of 2014, when the frigid grounds became an unfamiliar and difficult terrain. The harsh weather, the darkness, and the strict geographic limits of the project became important constraints in which it flourished. But all of the work Torop created was informed by a sense of the "frozen period," the time between the death of the sculpture garden's owner and creator, Peg Bradley, in 1978, and its opening to the public in 2010. During his months at Lynden, Torop sought out the interstitial, private times--early mornings, late evenings, nights--as ideal times to make work.

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Alyson Shotz: Force of Nature marks the artist’s most ambitious show to date. More than fifty works in various mediums will be on view throughout the Halsey Institute, representing the range of Shotz’s artistic output. The exhibition includes a monumental sculptural installation;  a site-specific, volumetric wall drawing; and a collaborative animation, as well as digital and traditional prints, photographs, and ceramics.

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Traveling from the RISD Museum and curated by Dan Nadel, Matthew Marks is pleased to present What Nerve! Alternative Figures in American Art, 1960 to Present, the next exhibition in his three 22nd Street galleries. 

The Chicago-based Hairy Who exhibited together from 1966 to 1969. Its members were Jim Falconer, Art Green, Gladys Nilsson, Jim Nutt, Suellen Rocca, and Karl Wirsum. Funk Art took root in the San Francisco Bay Area in the 1960s and 1970s and is represented in the exhibition with works by Jeremy Anderson, Robert Arneson, Joan Brown, Roy De Forest, Robert Hudson, Ken Price, Peter Saul, and Peter Voulkos. In Ann Arbor, Mike Kelley, Cary Loren, Niagara, and Jim Shaw formed Destroy All Monsters as students in the 1970s. Forcefield members Mat Brinkman, Jim Drain, Leif Goldberg, and Ara Peterson, active in Providence from 1996 to 2003, created fictional personas complete with pseudonyms and elaborate garments.
 

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The 2015 edition of Parcours will be sited in the historical center of Basel around the city's iconic cathedral, infiltrating key locations such as the Museum of Culture, the Natural History Museum, the Town Hall and the Münsterplatz itself. Parcours looks to engage with Basel’s past and present by weaving artistic interventions into the fabric of the specific location each edition inhabits. Presented on stone walls throughout the Parcours area will be Alyson Shotz’s ‘Imaginary Sculptures’ (2014 – 2015). As six panels of text on enamel, these signs are initially experienced as ordinary street signs. However, each panel contains a short text describing an imagined sculpture, using language to conjure forms in the mind of the viewer, demonstrating the notion that every work of art exists in the imagination, first in the mind of the artist and later in the memory of the viewer.

23 sitespecific artworks by internationally renowned as well as emerging artists will be featured, the biggest selection to date, including works by Alexandra Bachzetsis, Davide Balula, Adriano Costa, Alicia Framis, Piero Golia, Tobias Kaspar, Alicja Kwade, Nate Lowman, Michaela Meise, Jonathan Monk, Vik Muniz, Ciprian Mureşan, Peter Regli, David Renggli, Ugo Rondinone, Yves Scherer, Lara Schnitger, Alyson Shotz, Daniel Silver, Philippe Thomas, Blair Thurman and Francisco Tropa. 

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AMETRIA is the privilege of disproportion, of excess, the rejection of an overall vision, the error that turns out to be right. Out of the meeting of the Benaki Museum and the DESTE Foundation, works and objects become proofs of an impulse that, as a precise and determinate entity, takes part in the evolution of thought.

The exhibition includes, Aurel Schmidt, Barnaby Furnas, Dominic McGill, Judith Bernstein, Matthew Richie, Maurizio Cattelan, Paul Chan, Scott Campbell, Theodoros Poulakis, Urs Fischer, Wes Lang, among others. 

AMETRIA is organized by the DESTE Foundation in collaboration with the Benaki Museum. The collaboration between the two institutions was initiated in 2014 and, through a series of solo and group contemporary art exhibitions hosted at the Benaki Museum, aims to promote new and radical developments in contemporary art practice and inspire novel curatorial approaches. 

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The Phillips Collection celebrates the fifth anniversary of Intersections, which since 2009 has presented the work of 21 artists—10 men and 11 women—from the US and abroad. Each artist engaged the museum’s collection and architecture in different ways, creating diverse projects—both aesthetically and conceptually—and employing various media and approaches from wall-drawing, rubber-painting, bicycle spoke sculpture, and digital photography to video projection and yarn installation. This exhibition presents works by Intersections artists that have been acquired to date, both pieces that were featured in past installations and new works that are reminiscent or emblematic of the projects. Most importantly, the anniversary exhibition is a celebration of the Phillips’s mission to actively collect and display contemporary art.

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SPEARS, Gabriele Beveridge, Jesse Greenberg, Henry Gunderson, Daniel Heidkamp, JPW3, Jenny Kalliokulju, Sofia Leiby, Jim Thorell 

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Fascinated by the physics of the natural world, sculptor Alyson Shotz makes work that examines phenomena that are often considered inscrutable–gravity, light, space, and time. Using synthetic materials such as glass beads, stainless steel, and mirrors, Shotz renders mathematical and molecular structures on a monumental scale. Her sculptures are intricate, ethereal and responsive to a site’s conditions. Changes in light, time of day, and viewing angle, affect the presence of her work. 

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When the Whitney Museum of American Art opens its new Renzo Piano-designed home in Manhattan’s Meatpacking District on May 1, 2015, the first exhibition on view will be an unprecedented selection of works from the Museum’s renowned permanent collection. Setting forth a distinctly new narrative, America Is Hard to See presents fresh perspectives on the Whitney’s collection and reflects upon art in the United States with over 600 works by some 400 artists, spanning the period from about 1900 to the present. The exhibition—its title is taken from a poem by Robert Frost and also used by the filmmaker Emile de Antonio for one of his political documentaries—is the most ambitious display to date of the Whitney’s collection. 

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Solo presentation of new paintings

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This exhibition features recent work by Brooklyn-based sculptor Alyson Shotz, whose practice examines the properties and interactions of light, gravity, mass, and space. Shotz bridges disciplines in her work, drawing on scientific methods, mathematical principles, and literature, among other diverse fields. Often employing nontraditional materials such as glass beads, linen thread, stainless-steel filaments, and welded aluminum to create large-scale abstract sculptures, Shotz expands upon conventional notions of sculptural space and form.

Alyson Shotz: Force of Nature marks the artist’s most ambitious show to date. More than fifty works in various mediums are on view throughout the museum, representing the range of Shotz’s artistic output. The exhibition includes a monumental sculptural installation; a newly created Möbius strip–inspired sculpture commissioned by the museum for its collection; a site-specific, fifty-foot volumetric wall drawing; and a collaborative animation, as well as digital and traditional prints, photographs, and ceramics.

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Beyond the Surface: Image as Object, curated by Dan Leers, features works by David Kennedy Cutler, Ethan Greenbaum, and Sara Greenberger Rafferty

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What Nerve! Alternative Figures in American Art, 1960 to the Present proposes an alternate history of figurative painting, sculpture, and vernacular image-making from 1960 to the present that has been largely overlooked and undervalued. At the heart of What Nerve! are four mini-exhibitions based on crucial shows, spaces, and groups in Chicago (the Hairy Who), San Francisco (Funk), Ann Arbor (Destroy All Monsters), and Providence (Forcefield)—places outside the artistic focal point of New York. These moments are linked together by six influential or intersecting artists: H. C. Westermann, Jack Kirby, William Copley, Christina Ramberg, Gary Panter, and Elizabeth Murray.

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NYFA provides unrestricted grants of $7,000 to New York-based artists through its Artists' Fellowships. First launched in 1985, the program has provided over $27 million in unrestricted cash grants to artists in 15 disciplines at critical stages in their creative development. The funds are unrestricted, and can be used in any manner the artists deem necessary to further their careers.

The extensive list of past awardees includes the winners of five Academy Awards, five Tony Awards, eight Pulitzer Prizes, two National Book Awards ,and 15 MacArthur ''Genius'' Fellowships. The funds are unrestricted, and can be used in any manner the artists deem necessary to further their careers. 

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