Iridescent Adaptation, 2023
punched and plated carbon steel and stainless steel
108 x 45 x 8 inches
Aphelion, 2023
stainless steel, paint
126 x 126 x 24 in.
Detail view of Aphelion, 2023
Alloys of Moonlight #8, 2023
paint on hand folded aluminum
72 x 48 x 4 in.
Alloys of Moonlight #6, 2023
paint on hand folded aluminum
52 x 32 x 20 in.
Alloys of Moonlight #7, 2023
paint on hand folded aluminum
52 x 44 x 30 in.
Intricate Metamorphosis #5 (detail), 2020
plated carbon steel
128 x 13 x 15 inches
Chronometer #2, 2020
recycled rubber bicycle inner tubes, copper nails, punched copper, wood
72 x 48 x 3.25 inches
Light Falls, 2020
recycled rubber bicycle inner tubes, copper washers, copper nails, wood
48 x 33 x 3 inches
Scattering Screen, 2016
stainless steel and stainless steel wire
216 x 28 x 108 in.
Installation view at the North Forest of Crystal Bridges, Bentonville, AR
Detail view of Scattering Screen, 2016
stainless steel and stainless steel wire
216 x 28 x 108 inches
The Moon's Eyelid, 2018
welded aluminum frame, acrylic with dichroic lamination, stainless steel hardware
installation view at the Kimmel Pavilion, NYU Langone Health, New York, NY
Photo: Tom Powell
Object for Reflection, 2016
punched aluminum and stainless steel rings
122.5 x 145 x 57 inches
Collection of the Guggenheim Bilbao
Detail view of Object for Reflection, 2016
punched aluminum and stainless steel rings
122.5 x 145 x 57 inches
Break Line, 2015
stainless steel with stainless steel cable
3.3 x 140 x 13 feet
Private Collection
Installation view of Alyson Shotz: Un/Folding at the Weatherspoon Art Museum, Greensboro, NC
Lexicon, 2018
glazed ceramic
20 ft long wall installation
Installation view at the Weatherspoon Art Museum, Greensboro, NC
Visible Light, 2017
aluminium with dichroic acrylic
72 x 48 x 30 inches
Edition of 3 with 1 A.P.
Recumbent Cube #6,, 2019
unglazed porcelain
10 x 10 x 12 inches
Rheology #4, 2019
unglazed porcelain
14.5 x 9.5 x 8 inches
Rheology #6, 2019
unglazed porcelain
15 x 7.5 x 7 inches
Knot Theory, #1, 2016
unglazed porcelain
18 x 9 inches
Knot Theory, #3, 2016
unglazed porcelain
23 x 7 inches
Laws of Motion #10, 2015
cast bronze, unique variant in a series of 10
15 1/2 x 17 1/2 x 16 in
Alyson Shotz, Time Lapse, installation view at Derek Eller Gallery, New York, NY
White Fold, 2014
wet spun white linen thread and pins
14 feet x 49 feet x 2 inches
installation view of Alyson Shotz: Force of Nature at the Ruth and Elmer Wellin Museum, Hamilton College, Clinton, NY
photo: John Bentham
Mirror Fence, 2003
acrylic, wood, aluminum, hardware
138' x 36" x 4"
Installation view at the Storm King Art Center, New Windsor, NY
photo: Jerry L. Thompson
Mirror Fence, 2003 (detail)
acrylic, wood, aluminum, hardware
138' x 36 x 4 inches
installation view at Storm King Art Center, New Windsor, NY
The Shape of Space, 2004
cut plastic Fresnel lens sheets and staples
175 x 456 inches
installation view at the Solomon R. Guggenheim Museum, New York, NY
The Shape of Space, 2004
cut plastic Fresnel lens sheets and staples
175 x 456 inches
installation view at the Solomon R. Guggenheim Museum, New York, NY
Wave Equation, 2010
stainless steel wire, silvered glass beads, aluminum
120 x 144 x 117 inches
installation view at Nasher Sculpture Center, Dallas, TX
Invariant Interval 2, 3, 2014
stainless steel wire, glass beads, stainless stop collars
144 x 120 x 120 inches
installation view of Artists Ball at the Brooklyn Museum, Brookly, NY
photo: Mark Woods
Quaternion, 2014
welded aluminum frame, acrylic with dichroic lamination, stainless steel hardware
113.5 x 204 x 70.25 inches
permanent installation at the Fourth Presbyterian Church, Chicago, IL
Three Fold, 2013
permanent installation in the Li Ka Shing Center for Learning and Knowledge at Stanford University School of Medicine, Palo Alto, CA
photo: Ben Blackwell
Double Rotation, 2011
mirror polished stainless steel
120 x 190 x 121 inches
permanent installation at the Carol and Frank Morsani Health Center, University of South Florida, Tampa, FL
photo: William Lytch
Geometry of Light, 2011
cut plastic fresnel lens sheets, silvered glass beads, stainless steel wire
600 x 359 x 157 inches
installation view at Espace Louis Vuitton, Tokyo, Japan
Spiral (for LB), 2011
mirror-polished stainless steel
65 x 15 x 15 inches
edition of 3 (with 1 AP)
Transitional Object (figure #2), 2011
dichroic acrylic
63 x 45 x 34 inches
installation view at Espace Louis Vuitton Tokyo, Tokyo, Japan
photo: Jeremie Souteyrat
Invariant Interval, 2013
Installation at The Visual Arts Center at the University of Texas at Austin
Stainless steel wire, aluminum collars, silvered glass beads
20 ft h x 16 ft w x 15 ft d
Structure of Light, 2008
Silvered glass beads on stainless steel piano wire and aluminum
120 x 216 x 120 in.
Installation at The San Francisco Museum of Modern Art
Radiant, 2007
acrylic on aluminum
49 parts, each at 96 x 1.25 x 1.25 inches
installation view at the Hirshhorn Museum & Sculpture Garden, Washington, D.C.
